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MP3: Don't Call Me Now.mp3
[1,81 MB]
MIDI: Don't Call Me Now
(L).mid
Onyx Project: Don't Call Me Now
(L).opr
This is a blues manner song created on basis of only one five-measure
OOStyle - Count Basie's "Count On The Blues intro". First piano track and
second Sax solo track were played by me on a MIDI keyboard and then
processed using FX Chains. Track 4 was created from the current chord
sequences using Rendering command and then transformed by a guitar
accompaniment Modeler PMStyle. Orchestrator settings, Clips mixing, Fills
and Envelopes editing allowed achieving the desired song structure.MP3: Happy Days.mp3 [1,54
MB]
MIDI: Happy Days (L).mid
Onyx Project: Happy Days (L).opr
This is a light Latin-Jazz composition in which 3 OOStyles are used. As
you can see, almost all "music" is generated by the OOStyles and only a
melody track was played in real-time using a MIDI keyboard. Although only
3 OOStyles are used in more than 7 parts, the musical expression is
achieved thanks to different Orchestrator settings. The simple melody
sounds quite alive due to the use of MIDI FX Chain, which includes
AutoPhraser and 2 Modelers. It is easy to play a melody knowing that a
powerful FX Chain will turn it into a good-sounding track.
MP3: Father's Message.mp3
[3,09 MB]
MIDI: Father's Message
(L).mid
Onyx Project: Father's Message
(L).opr
This is a Rock-Pop song based on the Mark Knopfler's "Money for Nothing"
OOStyle. To enrich the basic style, the Ace of Base's "Don't Turn Around"
OOStyle was used. Orchestrator settings, Clips mixing and Envelopes
editing allowed achieving the desired song structure. Three Solo tracks
were recorded using MIDI keyboard. All musical nuances of Solos are
produced by MIDI FX Chains, adjusted for Overdriven Guitar, Distortion
Guitar and Whistle.
MP3: Let's Jam a Jazz.mp3
[1,57 MB]
MIDI: Let's Jam a Jazz
(L).mid
Onyx Project: Let's
Jam a Jazz (L).opr
In this demo song only 3 jazz manner OOStyles were used, and they were
applied not only in their initial Meters. Traditional gradually
complicated jazz harmony follows the variable meter without affecting
initial phrasing and makes it sound live and natural. Please see that from
measures 7 up to 19, as well as in other places, D.Brubeck's "Take Five"
(5/4 Meter) was used in 4/4 Meter. Also C.Basie's "Count On The Blues"
(4/4 Meter) and D.Brubeck's "Take Five" (5/4 Meter) in measures 33 up to
38 was used in 3/4 Meter. From measure 47 D.Baaska's " War&Peace" (4/4
Meter) was on the contrary used in meter 5/4 and the use of swing rhythmic
figure contributes to obscuring the currently run meter! And it all is
sounding as if the Orchestra styles were in their original meters. (Yes,
and the first piano track (quite a simple tune) was played by me on a
MIDI-keyboard; the same styles were used with different Orchestrator
settings, also some clips are mixed, which allowed to get a smoother
nature of song parts combining.)
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